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Editorial Review:
In the decade of decadence, Duran Duran knew how to live the life.
It was reflected in their videos (sailboats, silly white hats, tropical
surroundings, grease-painted feral women) and garishly displayed
in their public lifestyles. But if you can remove these connotations
from the album that started it all, you'll be left with music that
is anything but gaudy.
For the most part, Rio is an eerie and sumptuous record. With their
raspy, arpeggio synth sounds and Simon Le Bon's uninflected vocals,
the misty ballads "Lonely in Your Nightmare" and "Save
a Prayer" can still tear your heart right out of your chest
and abandon it bleeding on a rain-soaked cobblestone street. With
the dance-oriented singles "Rio" and "Hungry Like
the Wolf," you dry out a bit, but the songs are far from airy
or whimsical.
One anomaly in this release, though, is the inappropriate prominence
of John Taylor's bass lines. In every song, it sounds as if he is
mixed more in expectation of a solo than as an integral part of
the rhythm section. Ignore this technical distraction, however,
and you'll enjoy
rediscovering this gorgeous body of water-colored synthpop.
Beth Bessmer
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